12/31/2005

We Could Be Heroes!!



12/30/2005

Al-Jimzeera Talking Points

* Whether Larry Brown and Stephon Marbury are fighting or not, Knicks Fans Know (tm) this is a Bullshit Team and Isiah Thomas is a Bullshit GM. The day I bought a Marbury jersey he ends up scoring -8 points in a game. I've decided to embrace Marbury, Terrell Owens, all punks who play games. In the way I once embraced Iverson ( His "Practice? You want to talk about *practice?*" monologue is still one of my favorites to quote, right next to Mora's "Playoffs? PLAYOFFS?" speech). Tim Duncan might be the best player in the league (although people are going kind of Billups-shitty right now. Take everyone named Wallace out of that picture and they'd be 3-24. C'mon!) it's also about in-your-face-talk-about-me-around-the-water-cooler-shit-talking.

"So Duncan's pretty good!"

"Sure is, but who do you think will get Artest?"

That poetry needs more sex symbols (especially male), more trash-talkers (especially women) and more flash and pizzaz is obvious. The tweed and tweed-wannabe crowd has ruled long enough. Take your pants off in 2006. Like you need room to grow.

* And Terrell Owens got punished for speaking The Truth. He was *right.* And he will rise again, Eagles. I would have suspended Andy Reid after that Superbowl.

* Cat-sitting on Central Park West brings a new relationship: a doorman.

* Resolution: stop holding so much back.

* It's Friday: the only one on the crush list right now is Jessica Smith.

* I've turned comments >on< for the holiday weekend as a beta. Send me best wishes for 2006 or tell me I'm a giant loser. They are moderated, so only if you are worthy or I want to make fun of you will you ever appear. Show me your underpants.

Horatio the Unicorn

My Underpants Went Global!!

12/29/2005

Al-Jimzeera Talking Points

* "Match Point" like "Lost in Translation" before it loses itself in the face and curves of starlet Scarlett Johansson. Both directors, Woody Allen and Sofia Coppola seem so captivated by the very young actress that it is enough to simply light the set and zoom right in on her. All the other British actors seem dead in comparison. They are brunette furniture pieces.  "So you *do* know the effect you have on men?" she is asked early in the movie. Sure, she lights up the screen, but she hasn't had a great line since "Ghost World." Somebody please write better parts for women and especialy Scarlett. In Woody's rendition she is 3/4 sex kitten and 1/4 whiny needy clinger victim.  The thrill of a Woody Allen film typically is to see to what lengths Woody will go to put himself in a scene to make out with some young actress he has no business even speaking to. And also the jittery stuff. There are no jitters, it's all stiff upper lip and the movie is a slow sipping brandy, part maybe-noir caper part prototypical La-De-Da.  The new Beekman (basement) is a charming place that in no way evokes the original which is surrounded by blue construction lattice. Ride the Roosevelt Island Tram after the movie, though, especially if it's rainy and after midnight.

* Currently formulating resolutions. Getting more into BDSM is one of them maybe. But I am so gentle and like a lamb!

* "Purple Parallelogram" by Evan Dando, although it didn't make my Top 40 played list, is the song that makes me the most reliably happy when played and was a find in 2005. That the Oasis guy doesn't remember helping Dando write it--even better.

Al-Jimzeera NewsAlert

* Please find some time this week to buy 50 Cent's latest cd. If Mariah wins the music industry will *definitely* get the wrong idea.

12/28/2005

Free Orhan Pamuk: Update

Heeeeeeeeere's *Johnny*!

This depressed the shit out of me.

Al-Jimzeera Talking Points

* Finally saw the Gay Cowboy movie. I give it three 6 shooters up. The enduring message of this movie: love is horrible. I can't believe Ang Lee couldn't fit in one Incredible Hulk cameo, though. Like you see the Hulk just off to the side while the cowboys are kissing or something. If it wins 6 Academy Awards will there be *looting*?

* The "Lazy Sunday" SNL rap is available at itunes as a free video download. It remains funny even after being mentioned in the New York Times yesterday. Usually an appearance in the Grey Lady means your parents have found out about it. The cool gets let out of the balloon entirely. But what do you think the New York Times writer meant when they continuely called the rap "unthreatening?" Like, what's that code for? Whatever. Cupcakes are funny

* They made me cover up the Spongebob on my t-shirt. I'm trying to help the global empire, Manny! C'mon! Spongebob! And the host didn't dig the fake glasses. I already look sexy I just want to look smart.

* Manny and Clement get put through the washer and dryer and comes back as Miguel Tejada? Helps both my teams! We need more 4-way trades!

* How hot am I in my brand new Obey Ron black t-shirt? Caliente.

Braincase Behrle Blowout

Get a copy of (Purple) Notebook of the Lake with all those holiday Hamiltons you got. Get a bunch of other great chapbooks, too, while you're there.

all chapbooks are $6 postpaid
make checks out to Noah Eli Gordon
195 Jackson St #35
Denver, CO 80206

John Ashbunny

Rum, Sodomy & The Lash

I Feel Good, Really *Alive* You Know?

Horatio the Unicorn

Infested Waters



Dunkin Donuts Ad Actor Dies

12/27/2005

40 Most Played Songs of 2005

40. "Welcome to Jamrock" by Damien Marley
39. "While You're Cheating on Me I'm Praying for You" by the Louvin Brothers
38. "Wordplay" by Jason Mraz
37. "Tremendous Brunettes" by Mike Doughty
36. "Hung Up" by Madonna
35. "Hard to Beat" by Hard-Fi
34. "It's Just Like Surgery" by the Warlocks
33. "Hard to Explain" by the Strokes
32. "He Set Me Free" by the Louvin Brothers
31. "Forever Young" by Youth Group
30. "The Electric Version" by the New Pornographers
29. "10:1" by Rogue Wave
28. "Upon this Tidal Wave of Young Blood" by Clap Your Hand Say Yeah
27. "Rip It Up" by Razorlight
26. "Two-Headed Boy" by Neutral Milk Hotel
25. "He Was Waiting at the Altar" by the Louvin Brothers
24. "Rosie and the Sea" by Youth Group
23. "Mary Tyler Moore Theme" by Joan Jett and the Blackhearts
22. "Destroy Everything You Touch" by Ladytron
21. "Jesus is Whispering" by the Louvin Brothers
20. "Holland, 1945" by Neutral Milk Hotel
19. "This Little Light of Mine" by the Louvin Brothers
18. "Holiday" by Green Day
17. "Lillian Lies" by Youth Group
16. "The Comeback" by the Shout Out Louds
15. "Are You Washed in the Blood of the Lamb?" by the Louvin Brothers
14. "Deep Karma Canyon" by Bob Mould
13. "Is this Love?" by Clap Your Hands Say Yeah
12. "Monster Hospital" by Metric
11. "My Doorbell" by the White Stripes
10. "Shake the Dope Out" by the Warlocks
9. "America's Boy" by Broadcast
8. "Mary Susan" by Blood on the Wall
7. "Ruby" by Apples in Stereo
6. "Speed of Sound" by Coldplay
5. "L-L-Love" by Astaire
4. "We Used to be Friends" by the Dandy Warhols
3. "Portions for Foxes" by Rilo Kiley
2. "Paralyzed" by Bob Mould
1. "The Rainbow" by Apples in Stereo

Art Hurts

12/26/2005

From the Vault: Walnuts with Katie Degentesh

From the Vault: Walnuts with Santa

From the Vault: Walnuts with Todd Colby

12/25/2005

Saved from Poetry Snark: Matt Miller on Donald Revell

Welcoming Ginger, Snarking Donald Revell

First of all, let's all welcome Ginger Pennebaker to the main page. After much coaxing and cajoling, Ginger has finally skipped her way out of the comments section and joined Trochee and myself on the front line. (Speaking of Trochee, where the fuck have you been these last weeks? You there Trochee?) Now if we can only get Bill Blood out here, we could have a real cirque du snarke on our hands. On second thought, I'm not sure if the front page is ready for Blood. T'would certainly confuse first-time visitors...

Also, sometime around 1:00AM Thursday morning we had our 10,000th hit--not bad for a little over two months of blogging on a site that doesn't feature porn. Also, I added a new link to this utterly bizarre site I stumbled upon: www.absurd.org. I really don't know how to describe this beast. You have to see for yourself.

Onward to today's snark!

Any of our fair readers who have had the experience of listening to Donald Revell speak about poetry have surely heard his erudition on the subject of metaphor and simile: to whit, he thinks they should be avoided at all cost. Taking the hard-line from Adorno and Levinas (I suppose) he insinuates that to see the world through metaphor leads to barbarism. You've probably heard this before from some sanctimonious self-proclaimed expert on humanity, even if you haven't heard it from Mistah Revell--the idea is that when we don't see the world--and especially people--directly, we risk not seeing them at all, reducing them to the status of "other" and thus engendering the kind of situation that allowed the Holocaust. To which I say: what a load of shit. And then furthermore, quit exploiting the Holocaust to inflate your language--or to scare people into agreeing with you. Mr. Revell, you know that this is total bullshit. Or you should...

Exhibit a) you say that we shouldn't see the world obliquely through simile and metaphor, but your favorite 20th-Century American poet is ... John Ashbery? WTF! Oh yeah, Ashbery never uses metaphor... That "convex mirror," that "wave" that "flow chart"--those were things as they are (not played upon the blue guitar). When it comes to avoidance of metaphor, your boy should be Dr. Williams, but then again, even he succumbed to the urge, as in "The Yachts."

Exhibit b) your own poems--from Erasures: "my friends / become other animals / or fanatic labyrinths." We can let the "animals" part slide, but "labyrinths?" Smells like a metaphor to me. Does that mean you're now going to see your friends as objects and, consequently, soon kill them? From The Gaza of Winter: "I think that death / is a half lake and the view from there / opens under sky like a sparrow's mouth..." Here we get a metaphor that evolves into a simile... I'm starting to get confused ... when is it OK to use metaphor? When we're not talking about something important like human mortality? Oh wait, that was death you were making metaphor of ... er, uh... From Beautiful Shirt: "The sons that I might have instead of money. / Their hands are the entire sky / over the toy town, dark as only innocence, / that perfect destroyer, is dark." Well, now that the son's hands are a "sky over the toy town" instead of real hands, I can crush them with this big rock!

You get the idea. I suppose, it's really all just another example of glib misuse of half-understood theory. Here's the short version of the story: feeling impotent in a culture that ignores what they say, intellectuals use the inflated language of theory to presume profound meaning when there is none, to place enormous political consequence on things that have little-to-none (like American poetry). It makes us feel important, which I suppose we all need from time to time. But Auden got it right: poetry is that which makes nothing happen. The bad news is that the latest anthology of poems against the latest war isn't going to do a fucking thing to stop that war. The good news is that you can use metaphor and simile without worrying about it turning you into a Nazi.

12 Comments:

R.C. Bald said...

Clearly the small matter of empiricism seems to have eluded the focus, three hundred years premature, I gather. I confess, Bishop Berkeley et. all confound human perception at its core, indeed, but what is this of political tyranny? Metaphor stirring massacre? What's this? A poem rendering a person? Now, now, friends, mustn't a person craft a poem & as such mustn't a poem's ideology stem from its writer & not of its own somehow insurgent & self-generated agenda? Or did poems start writing thmselves sometime recently? All you need is to consult the "biggest tool" section to see the lengths to which the person touches the poem -- such dribble is as inconsequential & insufferable as the poets that crafted it in the first place. You poets, take responsibility for your own Naziism, your own idiocy, your own egregious dirth of talent, if it applies & when it applies. Such specious prestidigitation shall be revealed with the ease of finding a quadripalegic in hide & seek.

9:19 AM, June 30, 2005
midnightscholar said...

I agree w/ Snark. I'm a little tired of hearing yet another "tenured radical" of an MFA poet confuse his own solipsistic ramblings w/ genuine political action -- b/c writing a poem is just SO much more effective politically than actually getting out there and organizing people to vote or unionize or sign a petition, etc. It's not metaphor that stands at the root of genocide and war -- it's intellectual and political laziness like Revell's.

11:47 AM, June 30, 2005
bill blood said...

Donald Revelle's soul-patch caused the holocaust.

By "Donald Revell's soul-patch" I mean ancient near-man's jew hating cannibalism.

I mean pony.
I mean Sprite Remix.

Why does Donald Revelle have a penis for using to make penis-fun?

Let me tell you a story about sex.

One day, in a far away country, long ago in the past, a man penetrated another man's asshole just like a man penetrating a woman's vagina.

Then a stallion ate celery
Slowly and with difficulty
Like the celery was a boy
A real human jew boy
Chewy and alot like glory


I agree with Donald Revell
It's obvious
Stupid shitheads

6:57 PM, June 30, 2005
midnightscholar said...

A Donald Revell "Found" Poem:

Anything less than life is
not alive.

Because the soldiers were beautiful
ecstasy shows itself
to be
a practical
matter --

We follow to preserve
the possibility of a
delightful
contact.

The beginning bursts;
a man is meant
for bursting forth --
How it seems
the length of a sunshine day.

In the morning after a storm,
We used brooms.

Jealous lover,
Your desire
Passes the same way.

My soul wants only
The tiniest fireman.

Plenty of children in Arcady without fathers,
our friends
long before sundown.

Every spark that shoots out
Beyond this circle
will be beautiful
But is not consumed.

But in the delightful moment
looking for poetry,
we are moved to
the fathers without
their children.

Anything less than life
is not alive.


(All lines in the above were taken from the poems "Vietnam Epic Treatment," "Virgil Watched Them," and "My Mohave," appearing on The Academy of American Poets website {http://www.poets.org/poet.php/prmPID/856}, as well as an excerpt from "Invisible Green II" appearing in "American Poetry Review," March/April 2001 issue {http://www.aprweb.org/issues/mar01/revell.html}, all by Donald Revell, who, if you look carefully at his pic, has a rather distinguished butt-chin.)

7:43 PM, June 30, 2005
Ginger Pennebaker said...

Isn't metaphor sort of a dialectic thing anyway, as in it's sorta true and sorta not true at the same time? Also, cognitive linguists George Lakoff & Mark Johnson argue that language is inherently metaphorical anyway, shot thru with all kinds of massive unconscious conceptual metaphors, eg. "Knowing is seeing," as in, "I see what you mean." I mean, isn't language and thought and all that kit-n-kaboodle a pretty slippery thing all the time? So anyway - huh....Revel and his injunction against the political implications of an inescapable dialectical phenomenon that serves as the basis for human cognition. Well, you got me. Goddamit, Donald, quit fucking with my head!

9:27 PM, June 30, 2005
Pukabulu said...

right about metaphor, wrong about Auden. That "poetry makes nothing happen" line is as overused as Ryan Van Cleave's mailbox flag. Auden might have believed it when he wrote it, but it's just warmed over neo-Romantic sleight of hand:

"For poetry makes nothing happen: it survives

In the valley of its making where executives

Would never want to tamper, flows on south

From ranches of isolation and the busy griefs,

Raw towns that we believe and die in; it survives,

A way of happening, a mouth."


Or not.
Such are the sentiments behind the founding of zines like Exquisite Corpse.

2:18 PM, July 01, 2005
Snark said...

You may disagree with it, and obviously you've heard more times than you would like, but Auden's line is anything but "Neo-romantic." Quite the opposite really, since the Romantics believed poetry could change the world utterly ("unacknowledged legislators of the world"--another overused line, I know, but you get the point). Auden, in fact, was specifically refuting the Romanticism of Yeats, who in his lovely, naive way thought his poems of Irish nationalism would make a difference. They didn't. Or rather, they may have got him laid, but eventually his obsession with poetry's political efficacy also helped get him dumped -- Maude Gonne seemed to believe (rightly) that direct political action is more effective as a political tool than is poetry. Of course, her efforts ultimately folded as well. Bring on the monkey glands!

4:41 PM, July 02, 2005
Lon Silliman said...

It was just Shelley. Get rid of the whole "Romantics" thing. Byron wasn't having any of it -- nor were the others.

7:40 PM, July 02, 2005
Agent Trochee said...

David Orr, whom I am often not crazy about, wrote recently in the NYT: So when Auden tells us that ''poetry makes nothing happen,'' he's making a tremendous boast in the form of a dismissal. After all, any beginning comes from nothing -- from the darkness upon the face of the deep. If poetry can't change the world (or save our lives), it does mark a pause in which there's no use for usefulness, and anything can take shape. If we want to save our own lives in the wake of those moments, well, they may seem a little more worth saving. (source: http://www.nytimes.com/2005/06/26/books/review/26ORRL.html?pagewanted=all)

Creation ex nihilo; indeed we are in the likeness of God. This reminds me of Frost when he says that what good is form if we are not made to fear for it, what use are the forms of life if they do not inform us? Orr and I, in rare agreement, think that Auden (forget whether something is of Romantic origin or whatever as that is a pointless categorical approach) was speaking of how making is important and that how sometimes poetry is as if out of thin air, out of nothing, and it is the shape that it takes and what we make of it that is important. There is no such thing as nothing - that which we regard as nothing is something somewhere and poetry brings these things to life, gives them form, gives us a reason to fear & love the being we are tied to. if this sounds neo-Romantic, religious, impractical &/or silly to you, then I dare say you have lost your way in the wilderness.

12:23 PM, July 03, 2005
Anonymous said...

There is no such thing as nothing - that which we regard as nothing is something somewhere and poetry brings these things to life, gives them form, gives us a reason to fear & love the being we are tied to. if this sounds neo-Romantic, religious, impractical &/or silly to you, then I dare say you have lost your way in the wilderness.

Um, yes, it does sounds silly. There is no such thing as nothing? Isn't that a line from Pink Floyd? Shallow spiritualism leads to many "into the wilderness" of their own self-regard. And, while using categories like "Romantic" to describe Auden (who was, I must disagree, an incurable Romantic--just one clothed in the snappy dress of irony--pitting poetry against "executives" and such is exactly a Romantic move, removing art from the province of action, etc.--"unacknowledged" legislators, remember--but boy do I digress) categories like "Romantic" are simply useful boxes, a system of filing, and feel free to remove them and change them--but without categories, we end up mumbling in our own small jargons about "nothing is something somewhere." My personal filing system is very broad: pre-modern english poets, pre-Romantics, Romantics, and those who really don't fit.

11:51 AM, July 04, 2005
Agent Trochee said...

you are right about a couple of things, my anonymous interlocutor.

by "nothing is something somewhere", I fell victim to the inadequacy of language, particularly English, and I failed to go the extra distance to be more clear. in this case, "nothing" might be a child crying b/c their ice cream landed on the sidewalk; sure, it is not really anything to cry about, it's nothing but to that kid, well, it is everything in that moment. to push the idea further, the far reaches of science discuss how there is really no such thing as nothingness; philosophically, "nothing" is an abstract construct equivalent to such things as "eternity", "infinity" and absolute silence, things that are essentially farts in the wind.

Auden was not quite a Romantic (and I would like to point out that I did not deny Auden's Romantic tendencies but rather asked them to be put aside; in poetry and discussion, each word counts and it counts to pay attention). Auden is one of poetry's great chameleons and was able to carry the torch of many styles, sentiments and whatnot. Fernando Pessoa would be another fine example of this ability.

at any rate, the important thing to remember is that Revell is a nothing happening in a world begging for something more than fizz pop of arid musing. Auden was right; it is just that too many people think too small. in nothing resides all things terrible and lovely.

3:23 PM, July 04, 2005
barbarosa said...

thank you for the clarification. I agree completely about Revell, and perhaps we will argue about the ontology of nothing in a later post...

3:26 PM, July 04, 2005

Post a Comment

<<>

Season's Greetings from Madeline

From the Vault: Walnuts with Snoopy



From the Vault: Walnuts with Todd Colby



From the Vault: Walnuts with Todd Colby



Saved from Poetry Snark: Donald Revell

Welcoming Ginger, Snarking Donald Revell

First of all, let's all welcome Ginger Pennebaker to the main page. After much coaxing and cajoling, Ginger has finally skipped her way out of the comments section and joined Trochee and myself on the front line. (Speaking of Trochee, where the fuck have you been these last weeks? You there Trochee?) Now if we can only get Bill Blood out here, we could have a real cirque du snarke on our hands. On second thought, I'm not sure if the front page is ready for Blood. T'would certainly confuse first-time visitors...

Also, sometime around 1:00AM Thursday morning we had our 10,000th hit--not bad for a little over two months of blogging on a site that doesn't feature porn. Also, I added a new link to this utterly bizarre site I stumbled upon: www.absurd.org. I really don't know how to describe this beast. You have to see for yourself.

Onward to today's snark!

Any of our fair readers who have had the experience of listening to Donald Revell speak about poetry have surely heard his erudition on the subject of metaphor and simile: to whit, he thinks they should be avoided at all cost. Taking the hard-line from Adorno and Levinas (I suppose) he insinuates that to see the world through metaphor leads to barbarism. You've probably heard this before from some sanctimonious self-proclaimed expert on humanity, even if you haven't heard it from Mistah Revell--the idea is that when we don't see the world--and especially people--directly, we risk not seeing them at all, reducing them to the status of "other" and thus engendering the kind of situation that allowed the Holocaust. To which I say: what a load of shit. And then furthermore, quit exploiting the Holocaust to inflate your language--or to scare people into agreeing with you. Mr. Revell, you know that this is total bullshit. Or you should...

Exhibit a) you say that we shouldn't see the world obliquely through simile and metaphor, but your favorite 20th-Century American poet is ... John Ashbery? WTF! Oh yeah, Ashbery never uses metaphor... That "convex mirror," that "wave" that "flow chart"--those were things as they are (not played upon the blue guitar). When it comes to avoidance of metaphor, your boy should be Dr. Williams, but then again, even he succumbed to the urge, as in "The Yachts."

Exhibit b) your own poems--from Erasures: "my friends / become other animals / or fanatic labyrinths." We can let the "animals" part slide, but "labyrinths?" Smells like a metaphor to me. Does that mean you're now going to see your friends as objects and, consequently, soon kill them? From The Gaza of Winter: "I think that death / is a half lake and the view from there / opens under sky like a sparrow's mouth..." Here we get a metaphor that evolves into a simile... I'm starting to get confused ... when is it OK to use metaphor? When we're not talking about something important like human mortality? Oh wait, that was death you were making metaphor of ... er, uh... From Beautiful Shirt: "The sons that I might have instead of money. / Their hands are the entire sky / over the toy town, dark as only innocence, / that perfect destroyer, is dark." Well, now that the son's hands are a "sky over the toy town" instead of real hands, I can crush them with this big rock!

You get the idea. I suppose, it's really all just another example of glib misuse of half-understood theory. Here's the short version of the story: feeling impotent in a culture that ignores what they say, intellectuals use the inflated language of theory to presume profound meaning when there is none, to place enormous political consequence on things that have little-to-none (like American poetry). It makes us feel important, which I suppose we all need from time to time. But Auden got it right: poetry is that which makes nothing happen. The bad news is that the latest anthology of poems against the latest war isn't going to do a fucking thing to stop that war. The good news is that you can use metaphor and simile without worrying about it turning you into a Nazi.

12 Comments:

R.C. Bald said...

Clearly the small matter of empiricism seems to have eluded the focus, three hundred years premature, I gather. I confess, Bishop Berkeley et. all confound human perception at its core, indeed, but what is this of political tyranny? Metaphor stirring massacre? What's this? A poem rendering a person? Now, now, friends, mustn't a person craft a poem & as such mustn't a poem's ideology stem from its writer & not of its own somehow insurgent & self-generated agenda? Or did poems start writing thmselves sometime recently? All you need is to consult the "biggest tool" section to see the lengths to which the person touches the poem -- such dribble is as inconsequential & insufferable as the poets that crafted it in the first place. You poets, take responsibility for your own Naziism, your own idiocy, your own egregious dirth of talent, if it applies & when it applies. Such specious prestidigitation shall be revealed with the ease of finding a quadripalegic in hide & seek.

9:19 AM, June 30, 2005
midnightscholar said...

I agree w/ Snark. I'm a little tired of hearing yet another "tenured radical" of an MFA poet confuse his own solipsistic ramblings w/ genuine political action -- b/c writing a poem is just SO much more effective politically than actually getting out there and organizing people to vote or unionize or sign a petition, etc. It's not metaphor that stands at the root of genocide and war -- it's intellectual and political laziness like Revell's.

11:47 AM, June 30, 2005
bill blood said...

Donald Revelle's soul-patch caused the holocaust.

By "Donald Revell's soul-patch" I mean ancient near-man's jew hating cannibalism.

I mean pony.
I mean Sprite Remix.

Why does Donald Revelle have a penis for using to make penis-fun?

Let me tell you a story about sex.

One day, in a far away country, long ago in the past, a man penetrated another man's asshole just like a man penetrating a woman's vagina.

Then a stallion ate celery
Slowly and with difficulty
Like the celery was a boy
A real human jew boy
Chewy and alot like glory


I agree with Donald Revell
It's obvious
Stupid shitheads

6:57 PM, June 30, 2005
midnightscholar said...

A Donald Revell "Found" Poem:

Anything less than life is
not alive.

Because the soldiers were beautiful
ecstasy shows itself
to be
a practical
matter --

We follow to preserve
the possibility of a
delightful
contact.

The beginning bursts;
a man is meant
for bursting forth --
How it seems
the length of a sunshine day.

In the morning after a storm,
We used brooms.

Jealous lover,
Your desire
Passes the same way.

My soul wants only
The tiniest fireman.

Plenty of children in Arcady without fathers,
our friends
long before sundown.

Every spark that shoots out
Beyond this circle
will be beautiful
But is not consumed.

But in the delightful moment
looking for poetry,
we are moved to
the fathers without
their children.

Anything less than life
is not alive.


(All lines in the above were taken from the poems "Vietnam Epic Treatment," "Virgil Watched Them," and "My Mohave," appearing on The Academy of American Poets website {http://www.poets.org/poet.php/prmPID/856}, as well as an excerpt from "Invisible Green II" appearing in "American Poetry Review," March/April 2001 issue {http://www.aprweb.org/issues/mar01/revell.html}, all by Donald Revell, who, if you look carefully at his pic, has a rather distinguished butt-chin.)

7:43 PM, June 30, 2005
Ginger Pennebaker said...

Isn't metaphor sort of a dialectic thing anyway, as in it's sorta true and sorta not true at the same time? Also, cognitive linguists George Lakoff & Mark Johnson argue that language is inherently metaphorical anyway, shot thru with all kinds of massive unconscious conceptual metaphors, eg. "Knowing is seeing," as in, "I see what you mean." I mean, isn't language and thought and all that kit-n-kaboodle a pretty slippery thing all the time? So anyway - huh....Revel and his injunction against the political implications of an inescapable dialectical phenomenon that serves as the basis for human cognition. Well, you got me. Goddamit, Donald, quit fucking with my head!

9:27 PM, June 30, 2005
Pukabulu said...

right about metaphor, wrong about Auden. That "poetry makes nothing happen" line is as overused as Ryan Van Cleave's mailbox flag. Auden might have believed it when he wrote it, but it's just warmed over neo-Romantic sleight of hand:

"For poetry makes nothing happen: it survives

In the valley of its making where executives

Would never want to tamper, flows on south

From ranches of isolation and the busy griefs,

Raw towns that we believe and die in; it survives,

A way of happening, a mouth."


Or not.
Such are the sentiments behind the founding of zines like Exquisite Corpse.

2:18 PM, July 01, 2005
Snark said...

You may disagree with it, and obviously you've heard more times than you would like, but Auden's line is anything but "Neo-romantic." Quite the opposite really, since the Romantics believed poetry could change the world utterly ("unacknowledged legislators of the world"--another overused line, I know, but you get the point). Auden, in fact, was specifically refuting the Romanticism of Yeats, who in his lovely, naive way thought his poems of Irish nationalism would make a difference. They didn't. Or rather, they may have got him laid, but eventually his obsession with poetry's political efficacy also helped get him dumped -- Maude Gonne seemed to believe (rightly) that direct political action is more effective as a political tool than is poetry. Of course, her efforts ultimately folded as well. Bring on the monkey glands!

4:41 PM, July 02, 2005
Lon Silliman said...

It was just Shelley. Get rid of the whole "Romantics" thing. Byron wasn't having any of it -- nor were the others.

7:40 PM, July 02, 2005
Agent Trochee said...

David Orr, whom I am often not crazy about, wrote recently in the NYT: So when Auden tells us that ''poetry makes nothing happen,'' he's making a tremendous boast in the form of a dismissal. After all, any beginning comes from nothing -- from the darkness upon the face of the deep. If poetry can't change the world (or save our lives), it does mark a pause in which there's no use for usefulness, and anything can take shape. If we want to save our own lives in the wake of those moments, well, they may seem a little more worth saving. (source: http://www.nytimes.com/2005/06/26/books/review/26ORRL.html?pagewanted=all)

Creation ex nihilo; indeed we are in the likeness of God. This reminds me of Frost when he says that what good is form if we are not made to fear for it, what use are the forms of life if they do not inform us? Orr and I, in rare agreement, think that Auden (forget whether something is of Romantic origin or whatever as that is a pointless categorical approach) was speaking of how making is important and that how sometimes poetry is as if out of thin air, out of nothing, and it is the shape that it takes and what we make of it that is important. There is no such thing as nothing - that which we regard as nothing is something somewhere and poetry brings these things to life, gives them form, gives us a reason to fear & love the being we are tied to. if this sounds neo-Romantic, religious, impractical &/or silly to you, then I dare say you have lost your way in the wilderness.

12:23 PM, July 03, 2005
Anonymous said...

There is no such thing as nothing - that which we regard as nothing is something somewhere and poetry brings these things to life, gives them form, gives us a reason to fear & love the being we are tied to. if this sounds neo-Romantic, religious, impractical &/or silly to you, then I dare say you have lost your way in the wilderness.

Um, yes, it does sounds silly. There is no such thing as nothing? Isn't that a line from Pink Floyd? Shallow spiritualism leads to many "into the wilderness" of their own self-regard. And, while using categories like "Romantic" to describe Auden (who was, I must disagree, an incurable Romantic--just one clothed in the snappy dress of irony--pitting poetry against "executives" and such is exactly a Romantic move, removing art from the province of action, etc.--"unacknowledged" legislators, remember--but boy do I digress) categories like "Romantic" are simply useful boxes, a system of filing, and feel free to remove them and change them--but without categories, we end up mumbling in our own small jargons about "nothing is something somewhere." My personal filing system is very broad: pre-modern english poets, pre-Romantics, Romantics, and those who really don't fit.

11:51 AM, July 04, 2005
Agent Trochee said...

you are right about a couple of things, my anonymous interlocutor.

by "nothing is something somewhere", I fell victim to the inadequacy of language, particularly English, and I failed to go the extra distance to be more clear. in this case, "nothing" might be a child crying b/c their ice cream landed on the sidewalk; sure, it is not really anything to cry about, it's nothing but to that kid, well, it is everything in that moment. to push the idea further, the far reaches of science discuss how there is really no such thing as nothingness; philosophically, "nothing" is an abstract construct equivalent to such things as "eternity", "infinity" and absolute silence, things that are essentially farts in the wind.

Auden was not quite a Romantic (and I would like to point out that I did not deny Auden's Romantic tendencies but rather asked them to be put aside; in poetry and discussion, each word counts and it counts to pay attention). Auden is one of poetry's great chameleons and was able to carry the torch of many styles, sentiments and whatnot. Fernando Pessoa would be another fine example of this ability.

at any rate, the important thing to remember is that Revell is a nothing happening in a world begging for something more than fizz pop of arid musing. Auden was right; it is just that too many people think too small. in nothing resides all things terrible and lovely.

3:23 PM, July 04, 2005
barbarosa said...

thank you for the clarification. I agree completely about Revell, and perhaps we will argue about the ontology of nothing in a later post...

3:26 PM, July 04, 2005

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12/24/2005

Season's Greetings from Al-Jimzeera

12/23/2005

Al-Jimzeera Talking Points

* All was forgiven when I got on my N train this morning.

* What the hell is "felony attempted possession? " And is the world a better place this holiday with Brad Renfro in the slammer? Maybe. Everybody should be able to stock up on whatever will get them through the next few days--as much as they want. But the chants of "Cancel Christmas!" Now that's serving and protecting with style!


Season's Greetings from the Sexiest Poetry Blogger in the World

I Saw Mommy Fisting Santa Claus



Horatio the Unicorn



Everything is Great & Toussaint is to Blame



Rum Sodomy & The Lash

12/22/2005

* Happy Birthday, Alyssa Timin.

* Yeah, the strike may be over!  Boo, I may have to walk home tonight *anyway*!


Horatio the Unicorn

Screaming Fields of Transit Strike

Rum, Sodomy & The Lash

12/21/2005

Beantown Strikes Back

Johnny Damon's friendster profile has been updated. Who *knew* about his fondness for gay porn?

Yikes

"I ate Santa and took his fucking cap."

Al-Jimzeera Talking Points

* I'm more bummed at this point about Johnny Damon becoming a Yankee than I am about the transit strike. The walk over the Brooklyn Bridge last night was actually beautiful.  Not cold enough to be too cold.  The Red Cross was giving out hot cocoa on the Brooklyn side. And I thought "Couldn't this money be better spent in New Orleans?" Ho! Damon's departure means I might see him on the street or at the Stadium, which is cool.  But has there been a bigger Fenway flight since the Sox lost Fisk & Lynn? Theo and Johnny were lifers. Will they shave Johnny on a Visa commercial? Probably. We love you Johnny but ugh. The Sox are back to Square One / Underdog status. If the season started today it would be Trot Nixon in CF and Dustin Pedroia at ss and Kevin Youkilis at 1b. Fighting it out with Toronto for 2nd place in the East. Christmas is canceled. Get to work, co-GMs. Paging Coco Crisp. Paging Ken Griffey.

* I was hoping when "The Carver" had his identity revealed last night on "Nip/Tuck" that it would somehow turn out to be me.

* I am trying not to get too excited about who Abramoff might implicate because my high hopes for the whole Plamegate thing have been so shot.

* Raw Story is like the Disneyland of news sources. So many rides! But at the end of the day you just feel kinda sea-sick from being jerked around all day.

* I blame Peter Braunstein for the Transit Strike. Somehow he's behind this.

Screaming Fields of Johnny Damon

Christmas Makes You Weaker and Weaker



From the Vault: The Jim Side





starring former Red Sox CF Johnny Damon

From the Vaults: Walnuts



12/20/2005

Al-Jimzeera Talking Points



*Bruce Lee was constantly being confronted on the sets of his movies and the streets of Hong Kong because tough guys wanted to take him out and become the next Bruce Lee. I am the Bruce Lee of poetry blogs, people. Anonymous, nose-dripping losers think they can make an anonymous name for themselves by pestering me at Ron's and other places. Why Silliman endures them I don't know. But Bruce Lee is Bruce Lee and I'm Bruce Lee and you will know me by the trail of beat-up sad-sack losers. Keep it up. I got my nunchuku and my shuriken.

* Transit Strike stories aren't as good as Blackout stories. "I was stuck for 45 fuckin' minutes on Bergen St." Zzzzz.

Al-Jimzeera Talking Points

* I've debated posting this. And, at the risk of being seen as (too much of) an ass-kissing loser, I'd like to take a moment out of poking fun at the lousy things poets do and give credit to those who don't take themselves too seriously. Ron's been very gracious to all my pirate attacks over the years. This letter came in response to sending this painting. Salute their graciousness by shopping for Ronwear (4 items sold!) and now Ashbunny goodies. The gift for people that have everything--including Bollingens.

* My jam? The SNL Chris Parnell/Andy Sandberg "Chronic-(what)-cles of Narnia" rap from Saturday's show. But my TV kicked out during Jack Black's King Kong song. You can see the video at the NBC.com site (although it ain't working for me...goddamed Transit Strike!). Sandberg is quickly becoming my favorite cast member besides Tina Fey. Who is my dream goddess. Cover me in Cool Whip and hit me with her. Ahem.

* Can I just say, although I've never watched a whole episode of "The West Wing" (netflix?) John Spencer was a terrific character actor. I loved him on "LA Law" and I thought he was tremendous in "Presumed Innocent."

Everything is Great & No One is to Blame

Rum, Sodomy & The Lash

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Santa Bangs Elves

12/19/2005

*Win* Tickets to Clap Your Hands Say Yeah New Year's Eve in NYC

Santa is a Tool of the Man



Screaming Fields of Jimmy B.

Horatio the Unicorn

Infested Waters

Soulsucking Soduku



12/18/2005

"I'm not worthy! I'm not worthy! (Am I?)"

The physical newspaper used a different photo. Enjoy!

Horatio the Unicorn

Soulcrushing Sudoku

Al-Jimzeera NewsUpdate

* The reviews are in the Sunday New York Post Meet Market column! And the handcuffs are on! Thanks for all your votes, everybody...

* Happy birthday to my mom, Maureen Thorson and Julie Dill!

12/17/2005

Rum, Sodomy & The Lash